China has witnessed a past where people would be forced to confess their mistakes by writing self-criticism letters. The Infinite Confession Project sets out to explore the relations between people and their mistakes. Behind social images are terms of different times, places and political figures. Forced self-criticism might seem a thing of the past or even meaningless, while in Hu’s eyes, it evolves from multiple circumstances. Therefore, the artist hopes to trigger its interpretation out of the individual or even a group in order to better connect them with their confessions.